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I’m so broke I can’t even pay attention: Rethinking Social Wealth In & Against Times of Austerity
March 27th, 2011, 1PM @ The Co-Prosperity Sphere, Chicago

Tom Waits once quipped that he was so broke that he couldn’t even pay attention. While Waits is not typically thought of as a theorist of crisis, in a strangely prescient way this describes condition of economic and social crisis that we live through today. It gestures not only to the apparent lack of financial resources used to justify the imposition of austerity measures, but also corresponding a lack of time, affect, and care. We find ourselves not only struggling to keep up with bills, debt, rents, and work – but the intensification of these dynamics leaves us with less time and energy for relating as social beings rather than economic agents. Thus a financial crisis becomes an economic crisis, and then a crisis affecting the very fabric of social relations.

Economic and social crises are not only moments of rupture, upheavals in daily life, but also moments that clarify what is truly important. For economic elites this means reinstating forms of class power that had been held in check, but from a different perspective or it represents a reclaiming of enclosed resources and commons. It is to declare, as the slogan goes “We won’t pay for your crisis.” But in confronting the declaration that we live in times of austerity, it is not enough to simply denounce them (as important that is), but also to rethink what is important. Continue reading →

San Precario Network Screening + Discussion
December 5th at 7PM
16 Beaver Street 4th floor, New York

Over the past fifteen years the idea of precarity has emerged as a key area of social conflict and political organizing. But what is precarity, and what does a focus on it mean for political organizing and social movements? Come join us for an evening of discussion with members of the San Precario network on the politics of precarious labor and what they could mean for US based movements and campaigns.

The San Precario network is an Italian group of activists, collectives, social centers and workers that is one of the main organizers of the Milan EuroMayDay Parade. They will be presenting materials from their campaigns and work. Continue reading →

Curating Resistance :: Aesthetics & Ethics in Social Movement
:: October 25th, 2010:: University of Essex ::
:: Ivor Crewe Lecture Hall Seminar Room :: 1PM – 5PM ::

Participants: Paul Halliday (Goldsmiths) // Antigoni Memou (University of East London) // Matthew Poole (Essex) // Stefanie Tan (Glasgow)

Abstracts for the seminar are available here.

Avant-garde and social movement art production has long had a troubled and conflictual relationship with the museum and the archive. The call to abandon the gallery as a space for art separated from everyday life, one that all too often neutralizes the antagonistic energies of radical art, reverberates from Dada through Fluxus, the Surrealists to Reclaim the Streets. But in today’s post-Fordist creativity-fueled economy, the call to end this division rings hollow precisely because it has already been accomplished: the energies of insurgent creativity are rendered into forms of dispersed production for the net economy. The surrealist invocation of the marvelous is today’s advertising copy. Joseph Beuys’ proclamation that “everyone is an artist” has been realized in perverse form as “everyone is a worker,” where relationality is ‘socially sculpted’ through the circuits of an always present network culture as opportunities for capitalist valorization: all YouWork and MyProfit.

What might there be that could avoid these tensions and contradictions, or at least begin to suggest ways to work through and against them? Where does one go when life itself is both a direct producer of value and the substance of artistic production? To a gallery of the streets? Or maybe a university of trash? Is the archive of the undercommons a pile of zines sitting at the back of the infoshop? A pile of fleshy tissue inscribed on by a Kafka-esque writing machine? Perhaps it is all and none of these things. Thus we return to the question of the archive and history not to catalog social movement artistic production for a gallery-morgue or the productivity of the metropolitan factory, but rather to consider what an ethics and aesthetics of developing a living archive of experience and knowledges that can feed back into and through the fabric of everyday life might be. Continue reading →

Metropolitan Strategies, Psychogeographic Investigations
:: A Drifting Seminar :: Brighton, October 26th, 2010 ::
Starting @ the Cowley Club, 2PM

The notion of psychogeography (as well as many other ideas of the Situationists) appears frequently within political and artistic discussions. Indeed, they circulate to the point of cliché, in the process becoming almost completely emptied of content. The derive is reduced to a leisurely stroll, perhaps accompanied with some secondary musings about the nature of the spectacle, a dash of literary activity, or perhaps some local history. This is a hollowing out of the concept. Psychogeography for the Situationists was primarily not an aesthetic activity, but more than anything a strategic approach to understanding the forces shaping the city and from those finding points of intervention in it. At times it verged on a nearly military framework, working to gain an intuitive understanding of the territory and its layering of images, affects, and circuits of capitalist valorization.

Today we find ourselves in a condition of ever intensified spectacular sociability: all of life put to work in webs of biopolitical production, overwhelming communicative and media flows, and the reshaping of the metropolis through culture led gentrification. More than ever well-developed psychogeographic investigations are needed to comprehend the shaping of the metropolis and the possibilities this offers for political action. But this is not a task for the carefree wanderings of the flaneur, but perhaps better suited for what Ian Sinclair has described as the superseding figure of the stalker, the one who knows where he is going, but not why or how. Continue reading →

This is Forever: A Exploration of Contemporary Autonomist Politics
An evening with Minor Compositions and the Team Colors Collective.
Thursday, 25 March, 7pm
Red & Black Cafe – 400 SE 12th avenue (at Oak) Portland, OR

Join us for an evening with two autonomist authors and organizers from Portland and London in exploring contemporary politics, the continued imposition of work, current struggles in the University and elsewhere, militant and co-research, and in celebrating the release of their recent books.  In the U.S. and across the planet struggles against enclosures, the dismantling of the University, for public and community space, against “the endless imposition of work,” and against a form of life that is increasingly precarious – are currently taking place.  By “reading” these and neighboring struggles we seek to create a world in which many worlds fit. A discussion on these issues and other topics will follow short talks. Continue reading →

Autonomism, Class Composition, and Cultural Studies
Berkeley, CA – March 18th (as part of the Cultural Studies Association conference)
Organized by Stevphen Shukaitis & Jack Z. Bratich

How do cultural studies and autonomism converge and diverge over matters of power, the state, and subjectivity? Come join us for a series of  panels (organized by Stevphen Shukaitis and Jack Bratich)  planned as part of the annual Cultural Studies Association conference. They will explore the future behind our backs, focusing on how autonomist politics and analysis can inform cultural analysis and vice versa.

Autonomist political analysis involves something very much like a form of cultural studies, exploring how the grounds for radical politics are constantly shifting in response to how capital and the state utilize social insurgencies and movements against themselves. For instance, the concept of class composition, or the ways in which class formations emerge from social contestation, and the primacy and determining role of social resistance, shares much in common with various strains of thought in cultural studies. Similarly, workers’ inquiry as a method of investigating into the conditions of working class life to rethinking its ongoing subversive political potentiality, functions in similar ways to how early cultural studies shifted to an analysis of the everyday based on renewing and deepening radical politics. Continue reading →

Provo, Autonomy, and Ludic Politics
:: December 10th :: The Foundry, 7pm ::
:: Foundry, London :: 86 Great Eastern Street ::

The legendary Dutch anarchist movement Provo staged political and cultural interventions into the symbolic and everyday spaces of Holland from 1965 – 1967. The rise and fall of Provo stretches from early Dutch “happenings” staged in 1962 to the “Death of Provo” in 1967. Although a small group they cast a disproportionately large shadow on the events of the time due to their skillful analysis of social unrest among Dutch youth. By tying their political program to the rich magical heritage of Amsterdam’s bohemian subculture they created political street theater that captured the pulse of Amsterdam’s population.

Come join us to celebrate the release of Provo: Amsterdm’s Anarchist Revolt by Richard Kempton, the first book length English history and analysis of Provo. We will be joined by several of the members of Provo including Hans Plomp, Auke Boersma, Luud Schimmelpennink and Nico van Apeldoorn. The evening will include appearances by members of Radio Joy as well as recently recovered and translated video footage from the period. We will explore the history and activities of Provo, tracing out their legacies and continuing influence in the realm of autonomist politics and ludic interventions in public space. Continue reading →